Just like in our post on the best screenplays to read, we’ve broken down our list of the best TV scripts into the following categories:
♦ Drama
♦ Comedy
♦ Action/Adventure
♦ Thriller
♦ Horror
If you want to learn how to write for TV, reading these TV pilot scripts is one of the best ways to help boost your writing ability. You will learn how to establish the characters in a pilot, set up the world of the show and all about TV pilot structure.
Most importantly, study these TV scripts in order to discover how to create a sense of intrigue that will make a reader want to know what happens in the next episode. As you know, your script will be up against the hundreds of other TV specs out there, so it better make an impression.
The list contains examples of single-camera, multi-camera, half-hour, one-hour, network and cable pilots and TV specs, so pretty much every formatting option is also covered.
So let’s dive on in with the first category…
Created by Vince Gilligan as a spin-off from his hit TV series Breaking Bad (see below), Better Call Saul has received similar levels of critical acclaim for its writing. In fact, when the pilot aired in 2015, it became the highest-rated premiere in cable history. This is one of the best TV scripts in recent years.
From a writing perspective, Breaking Bad is a tremendous study in how to write an anti-hero. Vince Gilligan’s whole concept for the show came from a desire to create a protagonist who turned into an antagonist, and it’s this character arc that makes the show so fascinating to many.
Based on Michael Crichton’s own experiences as a medical student, the script was originally written as a feature in 1974, before being resurrected twenty years later as a pilot. If you’re writing medical-based TV show scripts, there’s probably no better one to check out than this mid-90s classic.
This seven-episode Western mini-series is a great example of how TV is attracting some of the very best feature writers. In this case, Scott Frank wrote the series exclusively for Netflix and it went on to win many awards including Outstanding Writing for a Long Form from the WGA West.
Read this script not only for inspiration on how to create a dystopian future world but also how to adapt a novel into a TV series. This show does a great job recreating Margaret Atwood’s 1985 novel of the same name and the author also served as a consulting producer.
If you’re interested in writing political drama TV scripts, you need to read this. The show was based on the 1990s British TV series of the same name and co-produced by David Fincher, who also directed the first two episodes.
Mad Men was conceived as a spec script by TV staff writer, Matthew Weiner in 2000. It was the originality of the concept offering a glimpse into the world of New York advertising in the 1960s that first got Weiner a job as a writer on The Sopranos.
Mad Men was then finally picked up by AMC seven years later and went on to be widely accepted as one of the best TV scripts of all time.
In 2015 the Emmys forced Orange Is The New Black to change categories from Comedy to Drama, but that hasn’t stopped it winning as many awards in its new category as it did before. Based on Piper Kerman’s own memoir detailing her year in a women’s prison, the show is the most-watched original series on Netflix.
Originally titled Thirty-Six, this is a solid family-based TV pilot script that first aired in 2016 on NBC. Reading this will be especially helpful to those writers attempting to interweave the emotional storylines of various family members while utilizing the use of flashback.
The genesis of The West Wing lies in Aaron Sorkin’s screenplay for the 1995 film, The American President. It was after the moderate success of this film (also starring Martin Sheen as Chief of Staff), that Sorkin decided to lift some of its unused scenes and turn them into one of the most influential TV scripts of all time.
The creator of 30 Rock, Tina Fey, based on her experiences working as head writer for Saturday Night Live. Shot in a single-camera format, these TV series scripts are definitely worth studying for their original use of surreal humor, satire and abrupt cutaways.
Ron Howard and Mitchell Hurwitz came up with the idea of a show based on a “riches to rags” family. The result was the story of the dysfunctional Bluth family, presented in a serialized format.
Note this TV pilot’s use of handheld cameras, voiceover and occasional use of historical photos and movie footage to set it apart from the norm.
Casual is a great example of a TV dramedy, mixing both drama and comedy into its TV scripts about an uptight newly divorced woman struggling to navigate life with her daughter and unpredictable brother. If this is your genre, this pilot is worth breaking down and studying.
Here’s a script from a show that famously doesn’t rely on scripts. Instead, writer Larry David produces an outline himself, and the dialogue is largely improvised by the actors on set. Nevertheless, this is essential reading for all comedy TV writers looking to find humor in the minutiae of daily life.
Family Guy TV scripts are generally written by a single writer out of a team of fourteen. It’s then given to the other writers, including show creator Seth MacFarlane, to be punched up with the funniest gags they can come up with. If you aspire to make it into a writing room coming up with gags all day, this is a script you need to study.
Just as essential is this TV script pilot from the show that won a slew of awards during its ten-year run during the 1990s. Rather than enroll on a “How to Write Comedy TV Scripts” course, simply purchase the Frasier complete boxset, study every episode and save yourself 200 bucks.
No “best TV scripts to download” list would be complete without Friends. The show that started life as Insomnia Cafe, before becoming Six of One, and then Friends Like Us is required reading if you want to learn how to set up and pay off jokes within a multi-camera sitcom formula.
Christopher Lloyd (who worked for many years on Frasier) came up with the idea for a family-based mockumentary during a discussion about families with co-creator Steven Levitan.
If you’re writing or thinking about writing a mockumentary-style comedy, look no further than this TV pilot script on how to write one. (Don’t be confused by the title, it was originally called My American Family.)
This is a single-camera ensemble comedy aimed at a general audience that’s proved to be one of the most popular TV shows over recent years. What’s interesting about the protagonist is that, according to the creators, she would have been a side character on any other series. (Originally called Chicks and Dicks.)
Another great mockumentary, this time about an overly optimistic small-town bureaucrat. If mockumentary is your genre, consider following in the footsteps of the writers who spent months researching California politics, talking to government officials and attending community hearings. No one said writing was easy…
The author of the original novels, George R. R. Martin was happy when HBO expressed interest in adapting them, saying, “I knew it couldn’t be done as a network television series. It’s too adult. The level of sex and violence would never have gone through.” The lesson: always bear in mind the target home of your TV script pilot.
Creating a sense of urgency is paramount in most TV pilot scripts, and this one is required reading for all action/adventure writers. Use it to study how the writers harness the power of real-time action in order to heighten the dramatic tension. Maybe there are moments you can add to your own TV script that emulate this.
This show, based on the DC Comics hero Green Arrow, is a great example of how to incorporate flashbacks as a major part of the narrative. Here, the flashbacks aren’t added because they look good, they illuminate what’s going on in the present as Oliver Queen attempts to stop a gang of mercenaries targeting the Chinese economy.
When writing TV show scripts based on superheroes, remember the advice of this show’s creator, Bruno Heller. He notes: “Frankly, all those superhero stories I’ve seen, I always love them until they get into the costume.” After this point, “they’ve stopped becoming humans.”
Reuniting the executive producers of 24, Howard Gordon and Alex Gansa, this show was based on the Israeli TV series, Hatufim. The pair developed the idea in early 2010 and Showtime green-lit it in 2011. While its later seasons came in for a fair amount of criticism, these early TV scripts are well worth studying.
This show offers a “new contemporary take” on Tom Clancy’s Jack Ryan series of novels and is worth studying if you’re writing a political, action-based series. Note the extensive use of bold, underscore and all caps in making the action really pop off the page of this TV pilot script.
In 2003, Lloyd Braun who was then head of ABC, was on vacation in Hawaii when he had the idea of a show that was “part Cast Away, Survivor and Gilligan’s Island, with a Lord of the Flies element.” Despite many finding his idea ridiculous, it went on to become one of the most popular TV shows of all time.
Starring the criminally underrated actor Giovanni Ribisi, this is a great TV pilot script that expertly mixes genres. The show is listed on IMDb as a “crime drama” but its use of humor, zippy dialogue, action set pieces and so on, set it apart from darker crime shows, such as True Detective or The Wire.
Series creators, the Duffer Brothers, received a hands-on mentorship from M. Night Shyamalan during the production of an episode of Wayward Pines. Once finished, they came up with the idea for Stranger Things and pitched it to fifteen cable networks—all of whom rejected it, saying a plot involving kids as leading characters wouldn’t work.
Writer Michael Hirst initially wanted to write about vikings way back in 1998 after penning the movie, Elizabeth. However, there wasn’t the appetite for historical Scandinavian TV scripts back then and so he waited until 2013 when the zeitgeist had changed. Now it’s one of the hottest shows on TV.
Joe Weisberg, a former CIA officer, came up with the idea for the show after leaving the service. He says “The Americans is at its core a marriage story. International relations is just an allegory for the human relations. Sometimes, when you’re struggling in your marriage or with your kid, it feels like life or death. For Philip and Elizabeth, it often is.”
It was executive producer John Eisendrath who came up with the idea of a TV pilot script about a criminal surrendering to the FBI and offering the names of people he’s worked with for the past twenty years—at a price. The character was based in part (like the Jack Nicholson role in The Departed) on the notorious gangster, Whitey Bulger.
Writing anthology-style TV series scripts like Black Mirror or The Twilight Zone can be an extremely effective approach. If this interests you, study the Black Mirror scripts and see how the show weaves the theme of mankind’s growing dependency on technology throughout its episodes.
This is also an anthology-style series of sorts, with each season set in a different time period containing mostly different characters. Like the Coen brothers movie of the same name, this show deftly combines elements of drama, thriller and comedy into one intriguing mix.
Producer Veena Sud describes this excellent remake of the Danish original as “slow-burn storytelling in a sense that every moment that we don’t have to prettify or gloss over or make something necessarily easy to digest, that we’re able to go to all sorts of places that are honest, and dark, and beautiful and tragic, in a way that is how a story should be told.”
If your TV show scripts are based on real-life people and/or organizations, research is probably the most important step. The producers of this show spent months researching all the characters they intended to bring to life from Ali Soufan and Lawrence Wright’s books chronicling the build-up to the 9/11 attacks by Islamic terrorists.
If you’re part of a writing team you could do worse than follow the example of writers Brit Marling and Zal Batmanglij. They spent a lot of time reciting the story to each other out loud, noting their reactions and making changes accordingly. All their hard work paid off as their resulting studio pitches triggered a bidding war.
This TV series was created by British screenwriter, Steven Knight who hails from the same area of Birmingham as the show’s setting. As he began researching the project, he was surprised to find that the gangster stories he’d heard growing up hadn’t been embellished at all—in fact, they’d been toned down.
Shonda Rhimes’ Scandal lasted for seven seasons from 2012 to 2018 and is another great example of a TV script based around the machinations of Washington. The lead protagonist was based on a former White House press aide Judy Smith, who was a co-executive producer on the show.
This is probably one of the best TV pilot scripts on the list: a masterclass in how to establish character, the world of the story and a strong hook in order to get the audience back for episode two. Jessica Biel has stated that she moved into producing shows like this just so that she could play more challenging roles and this one doesn’t disappoint.
Here’s some good advice from co-creator Brad Falchuk on writing Horror TV scripts: “If you want to kill everybody in a movie except one person, you can kind of get away with that, but if you’re looking to do a horror TV show, you have a different responsibility to the characters because the audience has a different affection for them.”
Writers Carlton Cuse and Kerry Ehrin have cited the inspiration for this Psycho prequel as being Twin Peaks. Cuse states, “They only did thirty episodes. Kerry and I thought we’d do the seventy that are missing.” Cable network A&E, gave Bates Motel a straight-to-series order in July 2012.
Basing a show around an antagonist can be tricky. As executive producer Bryan Fuller says, “There is a cheery disposition to our Hannibal. He’s not being telegraphed as a villain. If the audience didn’t know who he was, they wouldn’t see him coming.
What we have is Alfred Hitchcock’s principle of suspense—show the audience the bomb under the table and let them sweat when it’s going to go boom.”
Rather than being based on any preexisting material, Harper’s Island is an example of an excellent original concept: a group of friends and family members travel to Harper’s Island for a wedding only to discover there is a killer among them. And the protagonist’s mother was killed by him seven years ago…
The origin of this anthology TV series lies in a number of dinners hosted by director Mick Garris and attended by several “masters of horror” directors. These included Tobe Hooper, Guillermo Del Toro, Eli Roth, Ti West and others and the success of the events persuaded Garris to develop a series of one hour movies that were picked up by Showtime.
Another Showtime production is this British-American Horror series, developed by John Logan. He wrote the TV pilot script on spec and it’s a great example of how to incorporate characters from the public domain into your work, such as Dorian Gray, Van Helsing and Count Dracula.
In 2012 a French movie Les Revenants—about a small town whose dead residents begin returning to life—was adapted into a TV series of the same name. Then, an English-language adaptation was developed by Carlton Cuse for A&E studios. It only lasted a season, despite the quality of the writing which you can see in this pilot.
Following on from a couple of disappointing chapters in the film franchise, MTV decided to make a go of commissioning a writer to pen a TV series adaptation. The resulting show does a good job of maintaining the humor and self-aware pop culture references of the original movies.
Despite being canceled after only two seasons back in the early 1990s, this show has since received cult status. It’s been extremely influential on writers and reading the pilot script is a great way of absorbing all its terrifying weirdness. The TV show scripts for both this and the 2017 version are essential reading.
If you’re writing particularly gory horror TV scripts, don’t give up hope if they don’t get picked up right away. The Walking Dead was turned down by many studios, including HBO and NBC, due to its extremely gory and violent material. Bizarrely, it was even suggested that it be rewritten “without zombies.”
We hope this resource of the best TV scripts to download has helped you on your journey to becoming a TV writer. Let us know what TV scripts you would have included. Which TV pilot scripts have really helped and inspired your own writing? Let us know in the comments section below.
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If you’d like us to give you feedback on your TV show’s concept, pitch document or on the script itself, check out the following links:
Thanks for reading and we look forward to working with you!
[© Photo credits: Flickr, Unsplash]
Below you’ll find a collection of the TOP 10 Most Wanted TV Pilot Scripts. Each script is accompanied by an interview with its creator/writer. I also add a few BONUS scripts. If you want to learn how to write a tv pilot, this is a great place to start. Read, educate yourself and then write something original yourself. The scripts below are the only ones that are available online. If you find any of his missing screenplays please leave the link in the comment section.
When you are done reading take a listen to iTunes #1 Screenwriting Podcast The Bulletproof Screenplay Podcast. Listen to some sample episode below.
(NOTE: For educational and research purposes only).
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One of the best ways to hone your skills as a screenwriter is to spend ample time exploring the structure and format of great films. Thankfully there is a plethora of awesome script resourced around the web, many with free downloads.
Break your writer’s block! In the following post, we’ve listed out 9 sites to find free scripts from a wide variety of films.
Simply Scripts is an awesome script database where you can find film scripts, as well as scripts for TV, radio, musicals, plays and unproduced projects. From Interstellar to Singing’ in the Rain you’ll likely find the script you’re looking for here. There’s a reason why Simply Scripts tops our list!
Internet Movie Script Database is another great place to find screenplays of both old and new movies. IMSDb even allows users to sort by genre making it easier to pinpoint just action or comedy films. Scripts can also be rated on IMSDb, which is nice because sometimes scripts found online can be knockoffs rather than the actual script used for the film.
The Weekly Script puts out a new script every week for your reading pleasure. Instead of relying on having the largest library, the Weekly Script gets it’s charm from the curation of great screenplays. The site is also incredibly easy to navigate and minimal. In the words of the author “If you can’t find your way around this site, you shouldn’t be on the web!”
Screenplays for You is a script database – no frills, just scripts. SFY has hundreds of screenplays spanning decades of film production. Most of the scripts found here are shooting drafts, meaning they are formatted for the way the script looked during production rather than a reproduced script written after the movie was released.
If you’re a screenwriter, John August is a great person to know. On his website you’ll find scripts, schedules, breakdowns, and drafts for reference. You won’t find a lot of scripts, but the ones available are all high-quality. John August is also a host on the Scriptnotes podcast where he, along side Craig Mazin, talk about screenwriting and screenplays.
If the Weekly Script wasn’t enough for you, you will love the Daily Script. The site boasts one of the largest collections of scripts online, as well as an extensive collection of TV scripts.
In line with the Daily Script, Movie Scripts and Screenplays is a no-nonsense site with scripts, links and…that’s about it! The site does not appear to be actively updated, so go elsewhere if you’re looking for a recent screenplay.
If you’re into horror films than Horror Lair is the place for you. Horror Lair has hundreds of scripts that all fall in the horror genre. Check it out, if you dare.
You already know NoFilmSchool as a great place to find filmmaking news and information, but did you know they’ve started sharing screenplays too? NFS writer Christopher Boone has been writing articles with links to movie scripts over the past few weeks and the list is getting pretty great. You can see all of the 2014 Screenplay Articles on NoFilmSchools website.
Want to take your screenwriting tips to the next level? Check out our ‘8 Tips for the Emerging Screenwriter’ post where we share a few ways in which you can create engaging stories.
Know of any other places to find free scripts online? Share in the comments below.
This site will be of plenty of interest to TV fans, but fundamentally it's for people who want to take their love of TV and transform it into something more practical: actually creating telly that people want to see.
These scripts are here because the only way to learn how to write a TV script is to read A LOT of other TV scripts, and there aren't many places you can do that.
So here you can study scripts for existing shows, some of your old favourites, and many that never even made it to air. Figure out what makes an episode work, how to format that spec, why a pilot failed and how to write in four, five or six acts.
And when you've figured it all out and got your show on air - send me your scripts!
This site contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. I am making such material available in my efforts to advance understanding of the craft of screenwriting. I believe this constitutes a 'fair use' of any such copyrighted material.
The material on this site is distributed without profit.
If you wish to use copyrighted material from this site for purposes of your own that go beyond 'fair use', you must obtain permission from the copyright owner.
If you are the writer of any of these scripts, and want me to take them down; no need for unpleasantness: just email me.
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24 second season premire by Joel Surnow & Michael Loceff 2001 The Alfred Hitchcock Hour: The Magic Shop by Joan Collier (based on The Magic Shop by H.G.Wells) 1963 Arrested Development by Mitchell Hurwitz 2003 Bold and the Beautiful: Epsidoe 9 by William J. Bell 0 Bonanza: Escape to Ponderosa by unknown 1960 Brimstone - Pilot by Ethan Reiff & Cyrus Voris 1998 Charlies Angels: Little Angels of the Night by Mickey Rose 1977 Dark Shadows by Steve Feke and Dan Curtis 1991 Desperate Housewives Pilot by Marc Cherry 2004 Desperate Housewives: Pretty Little Picture by Oliver Goldstick 2004 Desperate Housewives: Who's That Woman by Tom Spezialy & Marc Cherry 2004 E.R. 'Motherhood' by Lydia Woodward 1995 The Five Mrs. Buchanens: Pilot by Jamie Wooten & Marc Cherry 1994 Glow: Pilot by Liz Flahive and Carly Mensch 2017 Grey's Anatomy: Ep 202 Into You Like A Train by Krista Vernoff 2005 Heros: Genesis by Tim Kring 2006 House M.D. - Occam's Razor by David Short 2004 How I Met Your Mother - Pilot by Carter Bays & Craig Thomas 2005 Jack and Bobby - Pilot by Vanessa Taylor 2004 Lost In Space: The Keeper by Barney Slater 1965 Medium: Ep 002 Suspicions and Certainties by Glenn Gordon Caron 2005 Melrose Place: Melrose is like a box of chocolates by Carol Mendelsohn 1997 Men In Trees: Pilot by Jenny Bicks 2006 Mumbai Calling: 01 - Teknobable by Sanjeev Bhaskar & Simon Blackwell (based on the original idea by Allan McKeown) 2008 Mumbai Calling: 02 - Home Comforts by Simon Blackwell (based on the original idea by Allan McKeown) 2008 Mumbai Calling: 03 - Good Sellers by Sanjeev Bhaskar (based on the original idea by Allan McKeown) 2008 My Name is Earl: Joy's Wedding by Greg Garcia 2005 Nip/Tuck: Christian Troy by Sean Jablonski 2003 Love is blue lyrics english. The Office- E-Mail Surveillance by Jennifer Celotta 2005 The Office - The Carpet by Paul Lieberstein 2005 The Outer Limits: Bellero Shield by Joseph Stefano 1963 Prison Break pilot by Paul T. Scheuring 2005 Sex and the City: Take me out to the ball game by Michael Patrick King 1998 Scrubs (pilot) by Bill Lawrence 2001 Starsky and Hutch: The Bait by Jim Scherer & Don Balluck 1975 Star Trek: What Are Little Girls Made Of by Robert Bloch 1966 Stranger Things: Episode 101 Chapter one: The Vanishing of Will Byers by The Duffer Brothers 2016 Supernatural by Eric Kripke 2005 Time Tunnel: The Last Patrol by Bob and Wanda Duncan 1966 Ugly Betty: Pilot by Silvio Horta 2006 Voyage To The Bottom Of The Sea: The Heat Monster by Charles Bennett 1962 West Wing pilot by Aaron Sorkin 1999 Without A Trace: Life Rules by Hank Steinberg 0 |